Showing posts with label micron pen. Show all posts
Showing posts with label micron pen. Show all posts

Thursday, July 10, 2014

TBT - Self Portrait in dots, 2004

Today's TBT is a short one, but maybe that's good after all the really long ones.

Cross-hatching and pointillism have always fascinated me. When someone first showed me a picture completed only in dots, it blew. my. mind.

The only element in this entire drawing is a dot made by a 01 Micron pen. The more dots you make and the closer per square inch you place them, the darker the area will be. That's all there is to it. Really it's like being a super slow and inefficient printer. With only this one element to worry about, the job of placing dots becomes pretty mindless. But if you have ever seen a Georges Seurat, you know that things only get more complicated from there. If you aren't familiar with his work, please take the time to google him. You may be visually familiar with his work without knowing his name.  In my opinion, printers shouldn't even be called printers. Instead we should be calling them "LSMs or Little Seurat Machines". Seriously, all the components are there, if you think about it.

This is a self portrait I completed in 2004. It wasn't originally only of myself, but the person laughing next to me didn't turn out so well, so they got chopped. :) After all the work of placing dot after dot, over and over, I wasn't about to just throw the whole thing away.


Thursday, July 3, 2014

TBT - Maylisa, 2011

I have given a lot of drawings as gifts over the years, but something that I have become increasingly aware of is how few I have actually done for my dear sweet family! Realizing this has really brought a sadness to my heart, and I am determined to remedy this within the year (hold me to it!). Last November I gave my sister a portrait of herself and her husband for her birthday, and I recently gave a portrait of my niece to my sister-in-law, Amy, also for a birthday present. It's a start, but I have a long way to go.

When I sit and think about why this is, I have realized that my artwork gifting has nearly always happened when feeling strongly prompted and inspired to do so. Sure, I have drawn things for people I care very much about, but I hope that those who have not received anything from me don't feel unloved because of it. There have just been times when the urging and inspiration comes out of no where, and there's nothing I would rather do than get it done for a specific person who is placed on my heart.

Today's TBT drawing is one of those drawings. I had this friend a few years ago (we are still friends, just setting up the story), who had been an acquaintance of mine for over a year–we went to the same church, attended the same studies, had many of the same friends–but it wasn't until about 4 months before she and her family moved away that we really got to know each other and really connected. Such a frustrating thing to finally make a connection with someone just to say goodbye, but that's the military life, right? So, I knew she was leaving and we were going to have a going away dinner for her family. I was thinking about her and what she had come to mean to me, when it came to me, I want to do a drawing of her two precious girls! So, within the hour I began working feverishly to get the portraits done. For quick portraits like this, I almost always grab my micron pens. They do a great job.

This is Maylisa, the oldest of my friend's two (now three) daughters. Maylisa is one of those girls who learned to use complex sentences before she could walk and just astounds you with what comes out of her mouth. She's truly such a vibrant young girl, and such a hoot! I found this photo of her on her mother's Facebook page and added a little flair (the feathers) because it just seemed to fit her.


Thursday, June 26, 2014

TBT - FCA Drawing,

May we be more consumed with the Creator of all things, 
than things created


Fair warning: Today's post is personal and deals very directly with my beliefs and world view. Because I know it is not politically correct to mix "business" with "religion", I wanted to give this warning so that if you are sensitive to that sort of thing, you can opt out now. I know I may lose a reader or two, but so be it. I am first a believer in the one true God and his work of salvation in this world and maybe 5th or 6th or somewhere later, a painter and designer. It's not super heavy stuff, so go ahead and read on if you'd like to hear more about today's Throw Back Thursday artwork.


I said it before, but it bears repeating: May we be more consumed with the Creator of all things, than things created. You may have seen that quote as my tagline for this blog in my original (temporary) design. I love this quote. It's one that I need to remind myself of every day, and that is why I used it. I don't always live that way, but I long to. Created things are often so tantalizing.

It is also my desire for this blog, that as I show image after image of something created, that I don't cloud or block the vision beyond, of the Creator. Not me, the creator of the art, but the true Creator, who had the imagination and creativity to come up with all the amazingly intricate designs of all that exists around us. The only truly original creator.  I hope that in whatever I do, and whatever I discuss on this blog–be it the tutorials, my process work, whatever–would in some small (or large) way, point to the beauty and majesty of the one who Created all the beauty that inspires us to capture it with brush and pen. All that we create is in some way a copy or study of the greatest master painter, so all of it should be a reflection of Him.



Today has been a weird day for me, and I won't go into that here, but what has come out of it is mainly a reminder that our days are numbered, and that number is hidden from us. At the end of the our days, what is left? Even if I'm remembered by my friends and family, and even if they tell stories about me to their kids, the longest a memory could last about my existence, is at most, what, 200 years? So why do I spend so much of it focused on myself, investing in something so temporary. Why not invest in things eternal, and help change the course of a greater history? I desire that for myself, for my husband, friends, family, for you! Let's invest our time in things that matter.

Okay, enough from that soap box (...I'm telling you, today has been a weird day). Today's throw back drawing is from 2007 when I was approached by a leader in the Fellowship of Christian Athletes (FCA) organization to do a drawing for them to use at a conference. A little background: my dad was captain of the FCA chapter at UT when he was in college, every member of my family was deeply involved with our high school chapter, and I met one of my dearest lifelong friends at an FCA camp. What do you think I said?

This drawing is mainly about discipleship. There are, however, many different word pictures portrayed here (imperfectly, I might add, but trying to fit so many ideas into one drawing will do that). I will try to talk you through many of them.

• The overall picture is that of a tree bearing fruit, which in its time, drops and dies so that new life can spring forth in the form of another tree (which in turn bears more fruit...). You can see the cyclical nature of it, I'm sure. We, too, are to die to ourselves, our worldly passions and desires, identifying ourselves with Christ in his death, and have been given the ability to spring forth with new life, as new creations, identifying with him in his resurrection. A similar cyclical image is also seen with discipleship when one life is transformed, and they then live to be used by God to help bring transformation to others, who then live...

• Each of the apples on the tree have places for names, representing individual people touched, ministered to, discipled, etc. Not all of them drop off and take root, some die away.

• The larger tree doubles in significance. Not only does it represent the discipler but it also represents Christ (the one whom we are all to be disciples of) with arms stretched out, as if on the cross, bearing our shame and guilt for us. (Having trouble finding him? The knot is his head, two arms as branches, and torso as the tree's trunk.) His death and resurrection conquered our two greatest foes, sin and death (death conquering sin by paying the penalty for sin, blood, a life, and the resurrection defeating death, making eternal life with God available to all who will follow Him.)

• Christ ministered to many, and there are potentially thousands of apples on this tree, but you can only see 12 hanging from the limbs–representing the ones he invested the majority of his time with, his 12 disciples.

• The ground from which the trees spring forth is God's word, the Bible, in which they are firmly rooted, and receive their nutrients.

• The Bible often uses the image of a grape vine or an olive tree (not an apple tree) when sharing similar ideas. Historically, we have used an apple tree to represent the Tree of the Knowledge of Good and Evil from which our first parents ate, and sin was brought into the world. I chose to an apple tree here to represent Jesus as the new, perfect Adam. The Bible reminds us that through Adam, sin and death was brought to all mankind, but through the new Adam, Jesus, salvation was made available for mankind. Jesus is the better, perfected Adam. (Romans 5)


I know, that's a lot, but it is really just an explanation of what's going on in the image. Thanks for reading, and hopefully you got to know a little more about me in the process.






Thursday, June 5, 2014

TBT - Your Giraffe Makes Me "To Laugh", 2011

As promised, this week's Throw Back Thursday is of the next section I have completed of the small illustrated book I am working on. As I said last week, today I'll be sharing the original poem with you that the book was inspired by. Please, keep your expectations low. If you are looking forward to reading the poem at all, your expectations are probably too high. Indifference is probably the right state of mind... (I could, but I don't have to, I mean, my life doesn't depend on it, but I might as well...)

The poem was created on the first night out with some new friends in Italy. The group consisted of two other American couples and an Italian woman who was learning English (and who helped many of us learn Italian). The host couple whipped out this board game, that for the life of me I cannot remember the name of, in which you fill in the blanks of song lyrics, one couplet at a time, to come up with a new song. It's a cross between mad libs and Apples to Apples if you ask me. As an aside, does anyone else perpetually think "dust to dust" after they or someone else says "Apples to Apples"?

To play, we started out with the song based loosely on Twinkle Twinkle. The game gave us a card that read: Giggle giggle little _______, how I wonder why you ________. This is the quasi-mad lib section. Everyone wrote their own two words to fill in the blanks and turned them in. Now the game turns into a rendition of Apples to Apples (dust to dust). The person whose "turn" it is, sings the couplet with each pair of words written by the players and then chooses their favorite.

Also like Apples to Apples (...), each player has their own "way" of playing the game. My way was to make sure it rhymed. The funny thing is, I didn't just think it was my "way", but the "only way" anyone would play this particular game. Boy was I mistaken.

The first round of Twinkle Twinkle started, the cards were collected, and one by one sung aloud. This one rhymed, that one rhymed, and out of left field someone wrote: elephant, smell. Someone doesn't understand how to play the game yet, I thought. It must be Marta, she doesn't understand English very well yet. Nope! After the card was picked, the owner turned out to be my very own husband. What!?

The second card read: Your _______ makes me _______.
"Giraffe" "to laugh" This one ended up belonging to Marta, which made sense because in Italian, the infinitive is used differently than in English.

The third card read: Like a(n) ________ that can ________.
"Penguin" "Boogie" ended up being the chosen card. I should have known. By this point no one was choosing anything that remotely rhymed.

Okay, all together now...


A Day at the Zoo

Giggle giggle little elephant, 
How I wonder why you smell.
Your giraffe makes me to laugh
Like a penguin that can boogie.
Giggle giggle little elephant,
How I wonder why you smell.



So there it is. I titled it "A Day at the Zoo" afterward, because that was the only way I could rectify all the lines together in my mind. Now, whenever I think about or quote this poem, it makes me "to laugh". What a great memento from such a fun first night out with new friends!

My goal is to complete this children's book, with the kiddos of one of the couples attending as the main characters, get it printed through Lulu, and send a copy to everyone who was there that night. 

So, to get to business, here's what I have for the line "Your giraffe makes me to laugh". 




P.S. Did you ever do this sort of thing growing up? (Where you moved your hand up and down over your face, changing expressions as your hand moved past?)

Thursday, May 29, 2014

Throw Back Thursday - Payton, 2011

Payton is the daughter of a wonderful couple we met while in Italy. They are one of those couples you meet and like immediately. Sadly, though, they were on their way out and we had just arrived.

As a going away present, I drew portraits of their kiddos. Actually, I originally set out to illustrate a children's book with their three kids as the main characters. (Cooper, Zeke, and Payton are all so animated that it was easy to see they'd make good illustrations.) But like most  of my well-intended, super-inspired, large projects, I couldn't find the time to complete it, and had to settle for less. Boo.


I'm happy to say, however, that I have not given up! Just last October I drew another portion of the book--a series of giraffes making faces. Maybe that'll be next weeks TBT, along with the poem. Something to look forward to, no?



The process for these drawings was as follows:


• Draw initial sketch with a 4H graphite pencil--to make sure it's really light.

• Find the lines I want and draw over them using 2B or 4B.
• With a piece of tracing paper, transfer the drawing into a clean sheet of bristol paper.
• Check my pens to see which are working most consistently (it's a huge bummer to have to change pens in the middle of a drawing, especially if you don't have another if the same size).
• Choose appropriate pens/sizes for drawing. I chose a heavier brush tipped pen for the thick lines, a  thick 08 micron pend, and a thinner 01 or 005 micron (i don't recall) for the finer details.
• I started with the brush tip pen and drew most of the outlines.
• Then I went in with the finer tips and did the cross hatching, shading, and details.


I think Payton's turned out particularly well.